About the Editor: My Journey Behind the Screen

I’ve always believed that stories come to you when you’re ready to tell them. In June of 2011, after receiving my Film and Media degree from the University of California Irvine, I was more than ready for the story of my creative career to begin. I found myself in a unique position—working two incredible gigs at the same time. One had me traveling the country with Backstage Artist Lounge, filming behind-the-scenes footage of rock concerts, capturing the energy of live shows, and piecing it together into something that would last long after the music stopped. The other was with Cashmere Agency, a boutique marketing firm that let me step into a world where creativity had no limits. From working with brands like Adidas to editing for artists like Kendrick Lamar and Snoop Dogg, I got to see how storytelling takes on different shapes. Whether it was on the small concert stage I shared with Kendrick during his early career, filming episodes of Snoop’s innovative GGN Youtube News show, or even having the opportunity to write and cut my own campaign pitch to AAA. Even though I grew up in Los Angeles it felt like I was being exposed to a part of the city I had never seen.

Balancing both jobs was fast-paced, but it also gave me a chance to expand my skill set. These early experiences taught me that editing is about more than just about stringing together shots on a timeline—it’s about finding the heart of every moment and giving it a voice. Whether I was backstage at a concert or sitting in a creative meeting, I learned that I wanted to offer more than just technical skills. I wanted to help tell stories that stuck with people.

Then came the NFL Network. Football has always been a passion of mine—I even played in high school—so getting to edit for the NFL was like blending two things I love. In a matter of months I went from working in the file transfer department to becoming the youngest editor on the lot, and it was an opportunity that pushed me creatively. Turning game highlights into real memories, finding the narrative behind the action—that’s what I enjoyed most.

Eventually, I found my way back to film and television at Mob Scene, where the projects I worked on took me back to the roots of why I got into this industry in the first place. Promoting on projects helmed by the likes of Denzel Washington, Quentin Tarantino, and Ridley Scott has been inspiring, not just because of their names, but because of the stories they bring to life. Each project has been a reminder of the power of storytelling, and I’m always excited to see what’s next.

At the core of everything I do, my goal has always been the same: to add something unique, something that resonates beyond the screen. Whether it’s in a 30-second commercial or a two-hour film, I’m always looking for ways to give each project its own voice, its own style, and its own lasting impact.